Saturday, 26 February 2022

Thinking Activity : Long Day's Journey into Night

 Hello Fellas!!!

Here is my blog on Thinking Activity Regarded to Long Day's into Night written by Eugene O'Neill.

“Be always drunken. Nothing else matters: that is the only question. If you would not feel the horrible burden of Time weighing on your shoulders and crushing you to the earth, be drunken continually.
Drunken with what? With wine, with poetry, or with virtue, as you will. But be drunken.”
_Eugene O'Neill
(16 October 1888 - 27 November 1953)

Eugene Gladstone O'Neill 

 was an American playwright and Nobel laureate in literature. His poetically titled plays were among the first to introduce into the U.S. the drama techniques of realism earlier associated with Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg. The tragedy Long Day's Journey into Night is often numbered on the shortlist of the finest U.S. plays in the 20th century, alongside Tennessee Williams's A Streetcar Named Desire and Arthur Miller's Death of a Salesman.

Eugene O'Neill is perhaps one of the best-known American playwrights of all time and received numerous accolades throughout his lengthy career. He is best categorized as a playwright in the realist school and is credited with bringing realism, a dramatic technique initially employed by the European playwrights Anton Chekhov and Henrik Ibsen, to the United States. He often wrote about Americans living in desperate conditions, and his play Long Day's Journey into Night is considered one of the greatest American plays of all time.

Beyond the Horizon was O'Neill's first play to premiere on Broadway, in 1920, and won the Pulitzer. That same year, he wrote The Emperor Jones, which premiered to great acclaim. His other plays include Anna Christie, Desire Under the Elms, The Iceman Cometh, Long Day's Journey into Night, A Moon for the Misbegotten, Strange Interlude, Mourning Becomes Electra, and Ah, Wilderness!, a comedy.

In spite of his success, O'Neill had an unhappy personal life, with marital struggles and estranged relationships with his children. Additionally, he suffered from alcoholism and depression. In 1936, he won the Nobel Prize in Literature. In 1953, he died at the age of 65 in a hotel in Boston.



Thinking Activity : Indian poetics

 

Here is my blog on Indian Poetics in our Paper no.9 Literary theory & Criticism and Indian Aesthetic we have Indian Poetics as a unit to study here is a look at what is Indian Poetics.

The Sanskrit word for literature is SAHITYA, which etymologically means coordination, balance, concord, and contact. In the Indian Poetics definition of literature is defined as kavya as Aristotle defines “Poetics”.  It enhances beauty and worth but there is a spine line difference between Indian Poetics and Western Poetics.

Indian Poetics is Based on ...
1) Rasa theory 
Bharata Muni is the one who first gave Indian Mimansa. According to him, language and voice are very different and just because of this it is impossible to settle everything in language as language is immortal while emotions/Bhavas are mortal. Rasa is the spine of the poetry. Rasa theory is superior among all theories.

T. N. Shreekantaiyya says that “The principle of Rasa is the very central part of Indian poetics. It is the nectar that founders or thinkers have obtained after churning the ocean of poetry.”

What is RASA? 
“A blending of various Bhavas arise certain emotion, accomplice by the thrill and a sense of joy is Rasa.” In the sixth chapter of Natyashashtra, he explains NATYARASA and RASA as the soul of poetry.  विभावानुभावव्याभिचारी संयोगात रसनिष्पत्ति । 

He has mentioned nine Rasas in Natysastra with their color and god.
श्रृंगार-वीर-करुणाद्भुत-हास्‍य-भयानका: । 
बीभत्‍सरौद्रौ शान्‍तश्‍च रसा: नव प्रकीर्तिता: ।।

Sentiments
Bhavas
Erotic
Attractiveness
Comic
Mirth
Furious
Furg
Pathetic
Tragedy
Odious
Aversion
Heroic
Heroic Mood
Bhayanaka
Horror
Adbhutam
Wonder
Shantam
Peace


Worthy to note that RASA comes out only because of these four BHAVAS Vibhav, Anubhav,  Sancharibhav, Sthayibhav, and Sthayibhav. Natysastra is the foundation of fine arts in India.

2) Alamkar Theory
Bhamaha is the first who introduced alamkara poetics. The second and third chapter of KAVYALLAMKARA deals with 35 figures of speech.


Mammata enumerates sixty-one figures and groups them into seven types like…

1. Upma= simile
2. Rupaka= Metaphor
3. Aprastuta Prasmsa =Indirect description
4.Dipaka= Stringed figures
5.Vyatreka =Dissimilitude
6.Virodha =Contradiction
7.Samuccaya= Concatenation

3) Riti Theory
Riti is the way of presentation or the style of presentation. He is one who developed it into a theory of “Vishista Padrracana”. Riti is a formation of arrangement of marked inflected constructions.  Vamana’s scheme of the Gunas can be tabulated thus
1. Shabda Duna = Ojas or compactness of Word structure
2. Artha Guna = Ojas or Maturity of Conception
* Four types of Writing style
1. Vaidarbhi
2. Panchali 
3. Gaudi
4. Lati
4) Dhvani Theory

Dhvani means The suggestive quality of poetic language. Other regards to this sense of poetry next school of thinkers, known as DVANI headed by Anandbardhan. He points out that it is not the literal, simple or direct, and referential meaning that poetry properly expresses, but it suggests indirect and emotive meaning. Hence, the words of a poem must be given their due importance and the same with regard to the literal sense they denote, yet both the words and their direct meaning to express themselves. The theory proposed in Dhvnyaloka by Anabdvardhana is known as the name of “Dhvani”. ‘Dhvnyaloka’  is itself a huge compendium of poetry and poetics.

5) Vakrokti Theory
Karnataka is known as the originator of this Sanskrit literary theory. Vakrokti is a theory of poetry that perceives poetry essentially in terms of the language of its expressions. Here Vakrokti turns into beauty.

Kuntaka
was is a Sanskrit poetician and literary theorist who is remembered for his work Vakroktijivitam in which he postulates the Vakrokti Siddhānta or theory of Oblique Expression, which he considers as the hallmark of all creative literature. 


This image is showing types of Vakrokti and each type consists of its own value in the poem.

6) Auchitya Theory
Kshemendra’s discussions of the principle of Aucitya are from the point of view of both the writer and the reader and are articulated in its given cultural and philosophical context. Kshemendra made aucitya spine elements of literariness. He defines aucitya as the property of an expression being an exact and appropriate analog of the expressed.

Thinking Activity : Yeats poems

 Hey there! Have a good day .

In our paper number six we have the twentieth century literature from 1900 to world war 2  in which we are supposed to learn Yeats poems so after classroom discussion we are assigned to do the Google classroom task regarding to this chapter here is my blog on thinking Activity in which I'm writing about Analysis of poem by Yeats A prayer for my daughter.

  • “The world is full of magic things, patiently waiting for our senses to grow sharper.”_Yeats 
  • William Butler yeats
  • (13 June 1865 - 28 January 1939 )

    A Protestant of Anglo-Irish descent, Yeats was born in Sandy mount and was educated in Dublin and London, and spent childhood holidays in County Sligo. He studied poetry from an early age when he became fascinated by Irish legends and the occult. These topics feature in the first phase of his work, lasting roughly from his student days at the Metropolitan School of Art in Dublin until the turn of the 20th century. His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley, and the poets of the Pre-Raphaelite Brotherhood.

  • was an Irish poet, dramatist, writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival and became a pillar of the Irish literary establishment who helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State.
  • From 1900 his poetry grew more physical, realistic, and politicized. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1894 and early on promoted younger poets such as Ezra Pound. Yeats was awarded the Nobel Prize in Literature in 1923, his major works include 1928's The Tower and Words for Music Perhaps and Other Poems, published in 1932.

  • What is pre- Raphaelite Brotherhood?
  • The Pre-Raphaelite Brotherhood was a group of English painters, poets, and art critics, founded in 1848 by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti, William Michael Rossetti, James Collinson, Frederic George Stephens, and Thomas Woolner who formed a seven-member "Brotherhood" modeled in part on the Nazarene movement. The Brotherhood was only ever a loose association and their principles were shared by other artists of the time, including Ford Madox Brown, Arthur Hughes, and Marie Spartali Stillman. Later followers of the principles of the Brotherhood included Edward Burne-Jones, William Morris, and John William Waterhouse.

  • This poem we've studied in our bachelor's . a prayer for my daughter is written by William Butler  Yeats in 1919 and published in 1921. This poem is written for his daughter anne .
  • The message from this poem to his daughter?
  • In the poem, a speaker  prays about the type of woman he hopes his daughter will become and the kind of life he hopes she will have. At its core, the poem expresses a father's heartfelt wishes for his newborn daughter.

The poem begins by describing "storm" which is a "howling", and his newborn daughter, sleeping "half hid" in her cradle, and protected somewhat from the storm.

The poem
Once more the storm is howling, and half hid   
Under this cradle-hood and coverlid   
My child sleeps on. There is no obstacle   
But Gregory's Wood and one bare hill   
Whereby the haystack and roof-levelling wind,   
Bred on the Atlantic, can be stayed;   
And for an hour I have walked and prayed   
Because of the great gloom that is in my mind.

I have walked and prayed for this young child an hour,
And heard the sea-wind scream upon the tower,
And under the arches of the bridge, and scream
In the elms above the flooded stream;
Imagining in excited reverie
That the future years had come   
Dancing to a frenzied drum   
Out of the murderous innocence of the sea.

May she be granted beauty, and yet not   
Beauty to make a stranger's eye distraught,   
Or hers before a looking-glass; for such,   
Being made beautiful overmuch,   
Consider beauty a sufficient end,   
Lose natural kindness, and maybe   
The heart-revealing intimacy   
That chooses right, and never find a friend.

Helen, being chosen, found life flat and dull,   
And later had much trouble from a fool;   
While that great Queen that rose out of the spray,   
Being fatherless, could have her way,   
Yet chose a bandy-leggèd smith for man.   
It's certain that fine women eat   
A crazy salad with their meat   
Whereby the Horn of Plenty is undone.

In courtesy I'd have her chiefly learned;   
Hearts are not had as a gift, but hearts are earned   
By those that are not entirely beautiful.   
Yet many, that have played the fool
For beauty's very self, has charm made wise;   
And many a poor man that has roved,   
Loved and thought himself beloved,   
From a glad kindness cannot take his eyes.

May she become a flourishing hidden tree,   
That all her thoughts may like the linnet be,   
And have no business but dispensing round   
Their magnanimities of sound;   
Nor but in merriment begin a chase,   
Nor but in merriment a quarrel.   
Oh, may she live like some green laurel   
Rooted in one dear perpetual place.

My mind, because the minds that I have loved,   
The sort of beauty that I have approved,   
Prosper but little, has dried up of late,   
Yet knows that to be choked with hate   
May well be of all evil chances chief.   
If there's no hatred in a mind   
Assault and battery of the wind   
Can never tear the linnet from the leaf.

An intellectual hatred is the worst,   
So let her think opinions are accursed.   
Have I not seen the loveliest woman born
Out of the mouth of Plenty's horn,   
Because of her opinionated mind   
Barter that horn and every good   
By quiet natures understood   
For an old bellows full of angry wind?

Considering that, all hatred driven hence,   
The soul recovers radical innocence   
And learns at last that it is self-delighting,
Self-appeasing, self-affrighting,   
And that its own sweet will is heaven's will,   
She can, though every face should scowl   
And every windy quarter howl   
Or every bellows burst, be happy still.

And may her bridegroom bring her to a house   
Where all's accustomed, ceremonious;   
For arrogance and hatred are the wares   
Peddled in the thoroughfares.   
How but in custom and in ceremony   
Are innocence and beauty born?   
Ceremony's a name for the rich horn,   
And custom for the spreading laurel tree.The poem is structured as a poet’s appeal to God and to his daughter on how he wants her to be like, as she grows up.
Summary
The poem ‘A Prayer for My Daughter’ opens with the image of the child sleeping in a cradle half hidden by its hood. The child sleeps innocently amidst the “howling storm” outside, but Yeats couldn’t settle down due to the storm inside. The storm howling symbolizes destruction mentioned by the poet in his ‘The Second Coming’. The wind bred in Atlantic has no obstacles except the estate of Lady Gregory, referring to the poet’s patroness, and a bare hill. The direct impact of the wind, meaning to the force of the outside world, especially on his daughter, worries the poet. Because of this great gloom he walked and prayed for his daughter to be protected from the physical storm outside and the political storm brewing across Ireland. https://www.litcharts.com/poetry/william-butler-yeats/a-prayer-for-my-daughter.
Form and Structure:
Each stanza follows a regular rhyme scheme of “AABBCDDC”. The poem follows a metrical structure that alternates between “iambic pentameter” and “trochaic pentameter”.

Thursday, 24 February 2022

The Wasteland

 


The wasteland
The wasteland is written by T.S.Eliot. This is considered Eliot's best work.

Writer Introduction

Thomas Stearn Eliot

(26 September 1888- 4 January 1965 )

 T.S. Eliot was an American-English poet, Essayist, Publisher, playwright, literary critic, and editor. He is best known as a leader of the Modernist movement in poetry and as the author of such works as The Waste Land and Four Quartets.


Major works of Eliot 
The Lovesong of J.Alfred Prufrock(1915)
The wasteland (1922)
Four Quarters (1943)
Murder in the Cathedral(1935)

Among all these works by Eliot let us discuss The Wasteland. 
The Wasteland is published in 1922 and is widely regarded as one of the most important poems of the 20th century and the central work of Modernist poetry.
What is The Wasteland? 
1: barren or uncultivated land a desert wasteland. 
2: an ugly often devastated or barely inhabitable place or area.
3:something that is spiritually and emotionally arid and unsatisfying.
The originality of The Waste Land, and its importance for most poetry in English since 1922, lies in Eliot's ability to meld a deep awareness of literary tradition with the experimentalism of free verse, to fuse private and public meanings, and to combine moments of lyric intensity into a poem of epic scope.

The poem is divided into five sections. The first, "The Burial of the Dead", introduces the diverse themes of disillusionment and despair. The second, "A Game of Chess", employs alternating narrations, in which vignettes of several characters address those themes experientially. "The Fire Sermon", the third section, offers a philosophical meditation in relation to the imagery of death and views of self-denial in juxtaposition influenced by Augustine of Hippo and eastern religions. After a fourth section, "Death by Water", which includes a brief lyrical petition, the culminating fifth section, "What the Thunder Said", concludes with an image of judgment.


What is the Significance of Tiresias in The Wasteland? 
Tiresias is both of the past and present, and so a suitable connecting link between the wastelands of Oedipus and King Fisher, as well as between the past and presentTiresias is a blind prophet who appears in Greek literature, including the works of Homer and Sophocles. In The Waste Land, his world-weary, cynical voice connects the sordid present with the distant past.

Symbols of The Wasteland 
water 
Birth 
Death
Resurrection
I find that The poem is based on the major theme of " Sexual Perversion and spiritual degradation." Eliot's wasteland resembles myths to show how in modern wasteland even this kind of sin is committed by the people, and how people have lost faith in spirituality.

1) What are your views on the following image after reading 'The Waste Land'? Do you think that Eliot is regressive as compared to Nietzsche's views? or Has Eliot achieved universality of thought by recalling mytho-historical answers to the contemporary malaise?

Friedrich Nietzsche is progressive and forward-looking whereas T. S. Eliot seems regressive because both have totally different sights and beliefs. Friedrich has the idea of 'Superman' who believes in faith and Self only. Superman has a quality that he only believes in this life rather than after the death of life. This means he has no belief in any mysticism. Superhuman is the creator of their own life and values. He has his own motifs and willpower. He thinks that the self is more important than anything else and there is nothing beyond the self. 

Bridge course : WAR POETRY

🎕 Hello Everyone!🎕

Here is my blog task regarding the thinking Activity given by Vaidehi ma'am as self-learning task on War poetry.

Here is the detailed blog on War Poetry kindly draw my attention if anything is missing here.


👉poetry is war poetry?
War poetry is a literary genre that developed during the period of the world wars. The term was coined by Randall Jarrell in his essay “The Literature of War”. Jarrell defines war poetry as “a poem that has as its theme war and that is written during or about a war”.
Some of War poets 
1) Wilfrid Owen
2) Rupert Brooke
3) Wilfrid Gibson 
4) Siegfried Sasson
5) Ivor Gurney
here are some poems by war poets
1) Dulce et Decorum est  
The Latin phrase is from the Roman poet Horace: “It is sweet and fitting to die for one’s country.”

"Dulce et Decorum Est" is a poem by the English poet Wilfred Owen. Like most of Owen's work, it was written between August 1917 and September 1918, while he was fighting in World War 1. Owen is known for his wrenching descriptions of suffering in war. In "Dulce et Decorum Est," he illustrates the brutal everyday struggle of a company of soldiers, focuses on the story of one soldier's agonizing death, and discusses the trauma that this event left behind. He uses a quotation from the Roman poet Horace to highlight the difference between the glorious image of war and war's horrifying reality.


2) The soldier

written by Rupert Brooke

"The Soldier" is a poem by Rupert Brooke written during the first year of the First World War (1914). It is a deeply patriotic and idealistic poem that expresses a soldier's love for his homeland—in this case, England, which is portrayed as a kind of nurturing paradise. Indeed, such is the soldier's bond with England that he feels his country to be both the origin of his existence and the place to which his consciousness will return when he dies. The poem was a hit with the public at the time, capturing the early enthusiasm for the war. Nowadays, the poem is seen as somewhat naïve, offering little of the actual experience of war. That said, it undoubtedly captures and distills a particular type of patriotism.


3) The Fear

written by Wilfrid Gibson

This poem that Wilfred Wilson Gibson wrote during the First World War, is a part of his “Battle” collection. “Battle” was an influence on Wilfred Owen who read Wilfred Wilson Gibson’s poetry while he was being treated for shell shock.


4) The Hero

This poem is written by Siegfried Sassoon.

is one of the disputed war poems this British officer and poet wrote in the period 1915-1918. When The Hero appeared in print, in 1917, many people were shocked. Fellow officers condemned him.


5) The Target 

This one is written by Ivor gurney

It is written in 1st person narration and the theme of the poem is nothing else but Death it is said that Death would be preferable to carrying it on war.



👉What is my understanding of War Poetry?

As per my opinion war poetry is about the deep sentiments of each and every human being they were going through a lot of .world war spread a deadly death alarms all over the world that is why here are some poets are expressing and giving very clear images of that time. We can't even imagine the pain of each soldier carrying inside and fighting for something they don't even want to have. We can say they are just puppets of Government and instead of coming into the light of that deadly dream they are just leading their innocent puppets in the death alarm of the world.

Even though the enemies are like family to us we have to bloodshed the whole nation just for our governments' orders.


👉Comparison between dulce et Decorum and The Fear

The central tension of this poem is between the reality of the war and the government's portrayal of war as sweet, right, and fitting to die for your country. The message that the poet conveys is the reality of the war that is horrific and inhuman. whereas the poem fear by Gibson talks about choosing a nation over life we can see how he rejected in who read Wilfred Wilson Gibson’s poetry while he was being treated for shell shock.
👉comparison Between The Soldier and The Target 
The Soldier is a sonnet in which Brooke glorifies England during the First World War. The poem represents the patriotic ideals that characterized pre-war England. It portrays death for one's country as a noble end and England as the noblest country for which to die. The Soldier was written while Brooke was on leave at Christmas, 1914 it was the final sonnet in a collection of five that he entitled "1914" his reflections on the outbreak of war.
The poem Target is narrated in 1st person it is about an ordinary soldier explaining why he killed a German and how he is feeling now. This war poetry has the theme of death would be preferable to carrying on in the war.

👉here are some pictures of world war






Indian soldiers leading in front for World war 1.



👉The history of world war


Here is the link to an Instagram video

We can say a hidden warrior of World war

In Indian Cinema we have a good number of movies and web series as a tribute to nations heroes. Among them what I can connect is the movie
Shahid Bhagat Singh to The Hero

Here we find Bhagat Singh is also writing a letter to his family expressing his love towards the nation and leaving home to fight for his own land his own people.


Sunday, 20 February 2022

I.A.Richards : Verbal Analysis of Poem or Any other song

💮 Bonjour à tous💮

After classroom Discussion and expert lectures on Indian Poetics, we are supposed to write a blog on Verbal analysis of the poem/song/film song lyric/ hymns/Devotional songs. Here is my blog about the Verbal Analysis of a Qawwali. 


I.A.Richards 


Ivor Armstrong Richards 

26 February 1893– 7 September 1979

 known as I. A. Richards, was an English educator, literary critic, and rhetorician. His work contributed to the foundations of the New Criticism, a formalist movement in literary theory that emphasized the close reading of a literary text, especially poetry, in an effort to discover how a work of literature functions as a self-contained and self-referential æsthetic object.

Richards' intellectual contributions to the establishment of the literary methodology of the New Criticism are presented in the books The Meaning of Meaning: A Study of the Influence of Language upon Thought and of the Science of Symbolism by C. K. Ogden and I. A. Richards, Principles of Literary Criticism  Practical Criticism, and The Philosophy of Rhetoric.


His notable works are...

1 The Meaning of Meaning- 1923

2 The Practical of Criticism – 1929

3 The Principles of Literary criticism-1924

  

Few other critics and their work

J.C.Ransom - Language of Paradox 

Allen Tate - Tension in Poetry

R.P.Warran - Understanding Poetry/fiction

Stanley Fish - Reader-Response Criticism

Roland Barthes- Death of an Author


The Detailed understanding of New Criticism by our professor.





1) sense -   The items referred to by the writer
2) Tone - Tone is the writer's attitude to his readers and audience. 
3)Feelings - Feelings refer to emotions, desire, pleasure, displeasure.
4) Intention - It is the writer's aim which may be  conscious or unconscious 

He gave two use of language
1) scientific use
2) Emotive use 

Here is a video of the  Sufi qawwali written by Nawab hilm of Hyderabad. written in praise of Hindu God. The link of Sufism to the Bhakti is a cult of medieval India.

कन्‍हैया बोलो याद भी है कुछ हमारी,
कहूं क्‍या तेरे भूलने के मैं वारी
बिनती मैं कर कर बमना से पूछी
पल पल की खबर तिहारी
पैंया परीं महादेव के जाके
टोना भी करके मैं हारी
कन्‍हैया याद है कुछ भी हमारी
खाक परो लोगो इस ब्‍याहने पर
अच्‍छी मैं रहती कंवारी
मैका में हिल्म रहती थी सुख से
फिरती थी क्‍यों मारी मारी ।
कन्‍हैया कन्‍हैया ।।

💫Analysis of the Qawwali 

1) Tone of Qawwali
The Qawwali has a tone of love and spiritual attachment. First, when we listen to this epic piece of art we find that it has a connection with Hinduism and Islam. This is quite impressive how wonderfully one Qawwali group of Pakistan sang this wonderful Qawwali written by Nawab Hilm of Hyderabad in praise of Hindu God.
This is basically something about a devotee asking her God if he still remembers his Bhakts.

2) Metaphors and language 
This Qawwali has several metaphors like...
and the language has a mixture of Urdu, Prakrit, and Hindi.

3) Misunderstandings
 What is the normal impression of any Qawwali is this must belong to Islam or Pakistan when I first heard this Qawwali I was shocked that our culture was way free from the boundary of religion and castism. There are no such misunderstandings in this Qawwali here. but people do drag cultural differences and castism here whereas in the older period there was nothing such as existing.
This is a piece of old Traditional writing which is giving more than many meanings.

4) Intention and Visual image
 The only intention we can observe is the tone of unity kind of oneness we find here. That it is a praising and devoting Qawwali made by a non- hindu writer for hindu readers and so that the words are used so well that anyone would get into it so deeply.

This particular Qawwali has a visual image of  undying faith in God Krishna and devoters spiritual connection with God.
 
 

MAN DON'T CRY

Happy heat wave to all... In this heavy heat there's question raised into my mind that why the society has given the stereotypical thoug...